真的是一个很现实的童话，一个貌似可以从科学角度认为天使存在的电影，小瑞奇就这样拯救了一家人的幸福。
Its eponymous protag may sprout wings, but Francois Ozon's latest, "Ricky," never really takes flight. Baffling tale of a baby who literally can't wait to fly the parental nest starts off as a kitchen-sink drama before moving into an uneasy mix of comedy and the grotesque, with character development replaced by airborne action in the second half. Some might detect an elaborate parenthood metaphor, but most auds will simply shrug their shoulders. "Ricky" opens in Gaul Feb. 11 on the heels of its Berlinale preem, but is unlikely to make the trek across the Atlantic.
Though inspired, like Ozon's previous pic, "Angel," by an English literary work -- in this case a Rose Tremain short story -- "Ricky" has more in common with some of the helmer's earliest efforts, including his feature debut, "Sitcom," in which the arrival of a freaky newcomer (a rat) throws a family into disarray.
婴儿从诞生到莫名其妙地长出翅膀到最后莫名其妙地飞走。只有支离破碎的日常生活，把离奇和平淡琐碎强制地糅合在一起。（如果说导演想表达的正是这一点，那么他做到了）。
又或者他像影片介绍的那样想表达的是都市小人物的生活状态，日复一日平淡无奇的生活下，一个不寻常事件的突然发生给他们增加的各种喜怒哀乐，就像在一片死水上掀起一阵波澜，而终究回归平静。我也要说他轻描淡写得有点过了。从男女主人公相识到结合，到孩子出生成长，包括孩子姐姐的部分，没有任何轻重之分。一切都是琐碎再琐碎，平淡再平淡，并且点与点之间没有牵连没有张力。像一团一团的棉花在水面上堆在一起，任它们松松散散地飘来飘去。
除非他就是想讲这么个故事，像一个完全没有讲故事经验的人讲了一个既不好笑又不好玩，不肤浅也不深刻的故事，没有声情并茂，没有技术和修辞，甚至偶尔前言不搭后语，偶尔忘了要讲的是什么，除非他就是要来讲这么一个无趣无味的故事，或者就是要这么无趣无味地讲一个故事。
那么好吧，就请允许我用最简练的语言来概括它：
从前有个小朋友
瑞奇：亚历山德拉·拉米领衔，天使的翅膀，一只是爱，一只是自由
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