The theatrical setting of Rainer Werner Fassbinder’s film The Bitter Tears of Petra von Kant interests me the most as all the events take place within such a small apartment, the bedroom particularly. Within the room, Fassbinder can still create the depth and spatial relationship between actress and actress, actress and architecture. In the scene where Petra starts to play music, she sits next to the gramophone and behind her, Marlene is typing. Petra’s posture is coordinate with the model. Then the camera zooms out, Karin enters the scene and takes the place of Marlene. (59 min) Such particular spatial setting appears several times, for example while Marlene is helping Petra wearing shoes (65min). Through such spatial settings, it is obvious for audience to figure out who is the dominant figure in every situation and the their changing relationships as time passes.
法斯宾德作品《柏蒂娜的苦泪》观后座谈会纪要
/范达明整理/
[img=2:C]法斯宾德作品《柏蒂娜的苦泪》观看现场(2015.11.14)[/img]
[img=3:C]《柏蒂娜的苦泪》观看现场:屏幕镜头之一(2015.11.14[/img]
[img=4:C]《柏蒂娜的苦泪》观看现场:屏幕镜头之二(2015.11.14[/img]
[img=1:C]《柏蒂娜的苦泪》观看现场:屏幕镜头之三(2015.11.14[/img]
时 间:2015年11月14日(星期六)上午11:08—11:35
地 点:杭州南山路202号恒庐美术馆底层讲堂
(恒庐艺术影吧法斯宾德作品《柏蒂娜的苦泪》观后现场)
与会者:(发言序)范达明、金爱武、李华、杜素梅、郭一橙、王淑金、池云飞、赵玲玲、刘海庆、张小萍(观影者:庞健、姬伯庆、万邦炎、朱松法、翁锡良、王月芳、徐涌、傅佩影、范大茵、田瑛、马以乐、张征辉、姚筱凤、朱明、朱艺、丁云珍、朱剑云、倪云霞、姜希珍、蔡玲、韩美娣、朱卉、张培红、朱俊杰、章毓苏、章勤、赵一宁、姜天鸿等)
主持人:范达明
记 录:刘海庆
影片通过六个女子演绎了关于女性的爱的丰厚主题
雕塑感极强的室内剧。全片都是女人,没有任何男性角色,而始终挂在墙上的油画上的男人和阳具时刻提醒着观众男人并未缺席。女时装设计师佩特拉是一个孤傲,敏感,神经质的女人。她的母亲经常找她要钱,她的女儿进入了青春懵懂期,佩特拉就像男人一样支撑着家庭。她与一个对她照顾无微不至但从来不说话的女管家生活在一起。她在房间里与另一个女性朋友聊着自己的前夫和离婚的原因。她不停抱怨曾经的婚姻生活和男人,男人充斥在她们的对话里。通过朋友介绍,佩特拉认识了独自来德国的卡琳,她爱上了卡琳
【柏蒂娜的苦泪】意外!“至少给我打个电话,让我听听你的声音,这又不要花多少时间”,感觉很东方的台词
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