关于影片的光线当时没意识到~只是觉得那光线气氛很舒服。看了前辈的评论才意识到,这是门大学问!敬佩:http://movie.douban.com/review/5123036/
导演是丹麦人,老爹是拉斯·冯·提尔的御用剪辑同时也是导演。难怪电影一开始的节奏那么好!
这其实是个励志片!鼓励我们不管多么烂俗的剧情,只要你有料绝对会拍出好看的电影。细想这电影的剧情简直狗血的一塌糊涂,黑吃黑加虎头蛇尾!难以想象如果不是导演极具风格化的镜头,这电影会烂成什么样?还想拿戛纳?
这应该是文艺动作片吧?关于心理段落的描写非常棒!
汽车的追逐不是简单的广角纵向,长焦横向,前景快速掠过……那样也许有速度,但绝对不会比开始时忽快忽慢的幽暗躲避更精彩。
看到有人把此片概述为“闷骚型暴力美学电影”,我大呼其真是天才,哈哈!特别是“闷骚”一词用得切实到位,不是吗,主角扮演者马斯林(俗称马司令)可是一个手法极高的杀手兼车手,但却傻傻喜欢一个带着儿子的“寡妇”,特别每次见到人家总是凝视无语,甚至还有点害羞和总带着暧昧的眼神,真是十足的“闷骚”。
当然此片最让本人佩服和赏目的就是每每到紧张危及关键时刻,情节和电影节奏却反常的拉慢了,而后又是急促和反复、凶残,这一慢二快三冷血的节奏把握,真是让人大呼过瘾。
观众想快点看到高潮对抗是吗,就不那么快放给你看,故意拉慢节奏,让你弊得慌了,性急了,再给你一个痛快~~~呵呵,冰火两重天的功夫用的够厉害的呵呵,所以大家才说其有美感啊,呵呵,开玩笑了,人家能这么与众不同的处理,那是大师的水准啊,难怪人家导演尼古拉斯·温丁·雷弗恩获得了2011年法国戛纳电影节的“最佳导演”大奖。
不过个人觉得此片的终极评价还是小改一下,因为整片马司令与可爱妈妈的相处,特别在电梯相吻那一刻着实浪漫
情节很简单,车手爱上了邻居家的单身女人,带着孩子,丈夫入狱。她们之间情愫暗生时,她的丈夫出狱。偶然间车手得知丈夫入狱是因为受到高利贷的威胁,而现在他们还要威胁他的家庭。于是车手决定和她丈夫一起完成一场被要求的抢劫,保护女人和孩子。
电影对车手的过去挖掘不多,相比后来此起彼伏的人物死亡,车手前期的孤单落拓甚至显得有些过分静美了。落日车神的翻译好于亡命驾驶,片子刻画的就是车手在夕阳下留下的背影,车子就在此间停驻,他们动起来杀伤力巨大,可他们此刻,且永久地嵌入了静中。
I like DRIVE for two reasons, first, the love between the drive and Aileen seems light but deep and warm, also being full with respect and shyness. Big love from one's heart which makes people shocked and admired most is not occupy the person you are devoted to, but treats his/her happiness as your own happiness and do whatever you can to make sure she/he is happy no matter you are enjoy in it or not, even striving for an unhappy ending without any promising future or looking at the happiness between she/he and her/his family without any reciprocal response. Second, the drive guy is cool, it's great for a person who can possess one skill unique in this world and apparently his driving skill is alarmingly dangerous and extraordinary which makes him more charming and mysterious but contradicts his another side of characteristics, self-possession and attentiveness. And drive makes me thi
“亡命驾驶”nightcall
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