「If you want the fucking part, earn it.」
「Truth is, I don't think people understood what it was I was doing at Shaffer. I wasn't there to conduct. Any fucking moron can wave his arms and keep people in tempo. I was there to push people beyond what's expected of them. I believe that is... an absolute necessity. Otherwise we're depriving the world the next Louie Armstrong, the next Charlie Parker. I told that story about how Charlie Parker became Charlie Parker.
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Jo Jones threw a cymbal at his head.
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文/十一月的雨
在刚刚落幕的第87届奥斯卡颁奖典礼上,《爆裂鼓手》如期获得了包括最佳男配角在内的三项大奖,成为了当晚紧随《鸟人》之后的最大赢家。而其实在此之前,本片已在被称为“美国独立电影圣地”的圣丹斯电影节上斩获过陪审团大奖。
本片讲述得是一个内心偏执的年轻鼓手追求爵士音乐至高境界的故事。看似是个很小众的音乐题材,却以接二连三的情节反转和极具煽动性的表现力让我彻底爆裂了,堪称五年来看过最让人激动的电影。
按照大众的观影习惯,了解一部影片前都需要有一个标签
爆裂鼓手:富有感染力!於是入魔者們有了伴奏
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