这部电影是奥黛丽在罗马假日之后拍的,但是拍的时候罗马假日还没有上映,派拉蒙当时的确是想主推奥黛丽成为台柱明星的,所以请来了大神鲍嘉(精英哥哥),还有当时很不错的威廉霍尔登(傻白弟弟)为她作陪。电影不难看出奥黛丽是绝对的主角,也是整部电影的核心人物。剧情倒是傻白甜玛丽苏了一点,里面有些台词更是要命,玫瑰色的梦啊之类,我第一次看的确笑出来了。但是这种剧本基本现在也不能说缺市场,当时就更别提了,派拉蒙是下了功夫想捧奥黛丽的。
而且我们常说的奥黛丽和纪梵希的贯穿一生的长期合作
很不错的电影!结局很好!
Sabrina是一个司机的女儿,从小就喜欢主人家漂亮的小儿子David.她的父亲决定让Sabrina去巴黎学习烹饪。从巴黎回来之后,Sabrina和以前有了很大变化——美丽而又知性。同时,她也赢得了David的心。然而,此时事情却发生了变化, Sabrina 发现自己在不知不觉的已经爱上了David的哥哥——Linus。这似乎是命运的安排,却一切又在情理之中。
爱,有时就是那么不可思议!
Bogart and Hepburn had very distinct qualities and large age difference, but their level of subtlety was on par, making the chemistry between them exciting to watch. The relationship between Bogart and Hepburn in this film seemed more like an adult-to-adult relationship, where as the pairing of Bogart and Bergman in Casablanca had significantly more baby-sitting element, despite the smaller age difference in reality.
The two film share common elements in plots and character design. Comparing to Bergman, Hepburn is more in control, even though their roles are similar in stereotype and circumstance. This created a much more balanced interaction between the leading male and female and a more clenching story development. In a mediocre film with predictable plot, the performances of Bergman and Hepburn are especially memorable.
表现手法老旧,剧本老土,没有色彩。
但我就是不可救药的迷上了这种老电影。
最让我印象深刻的就是奥黛丽赫本所饰演的女主角,在巴黎学会了生活的方式后,开始用玫瑰色的滤镜去观看这个世界。
玫瑰人生,这是我听过的最好的诠释。
同时片中的男主角真的非常迷人。
虽然拿现在的观点来说,奥黛丽赫本和男主角这种老少配也挺罕见。
但两人所演出来的情愫和含情脉脉,真的让我看得非常着迷。
多希望自己也能像片中的男主角一样,乘着去巴黎的游轮,和爱人一起在甲板上眺望日落。
爱情可以怀旧,时尚却不打折——观《龙凤配》
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